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From Within and Without: The History of Haitian Photography

June 21 – October 4, 2015

Exhibition

Image Gallery

Young girl dancing in her blue lace dress belies the sinister poverty and violence that resides in the dusty dried out streets of Rabato, a slum just outside Gonaives, Haiti. Rabato is a scene of regular political protest and is thus the target of numerous slaughters and attacks on its citizens. 1990
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale - ready to vote
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale
History of Haitian Photography exhibition at NSU Art Museum Fort Lauderdale

From Within and Without: The History of Haitian Photography

Photography has provided ongoing and important narratives of Haiti’s people, art, culture and politics since the advent of the medium in the 19th century. From June 21 through October 4, 2015, NSU Art Museum Fort Lauderdale will present the first comprehensive museum survey of photography in Haiti in the exhibition From Within and Without: The History of Haitian Photography.

The exhibition’s nearly 350 works from the late 19th century to the present engage the history of photography in Haiti with the work of contemporary artists and photographers, offering a fascinating perspective on life in Haiti and how political and natural crises have been perceived by native and foreign photographers and photojournalists.

From Within and Without is organized by NSU Art Museum Fort Lauderdale and is curated by Haitian-American artist Edouard Duval-Carrié.

From Within and Without features documentary, commercial, and official state photography, along with photographs from studio archives, family snapshots, and graphic arts that incorporate photography and film, documenting Haiti’s public and domestic architecture, its landscape, political history, natural disasters, and events that exemplify the richness and vitality of Haiti’s past and present.

By the late 19th century, photographic studios had been set up in major cities throughout Haiti to document the grandeur and respectability of Haiti’s political elites and wealthy merchant classes. Photography quickly became a tool for capturing Haitian life in broader terms as photographs were made of its less affluent classes, as well as aspects of the social unrest and injustice that plagued the island nation.

Albums and photographs dating from the 1890s through the 1970s display rural habitats and Haitian landmark sites such as Port-au-Prince’s Metropolitan Bazaar, National Bank of Haiti, Cathedral and Palace. Subjects include photographs of Haitian presidents, such as Francois Duvalier, Elie Lescot, Paul Magloire, Stenio Vincent, military leaders, farmers, families with their children, Vodou priests and festivals, baptisms and marriages, and numerous political events, such as the election rallies of 1913.

The power of photographs became particularly acute in shaping public opinion about Haiti during moments of political and natural upheaval. Photojournalist Carl Juste’s Ready to Vote, February 7, 2006, and Ruined Prayer, January 12, 2012, taken just after Haiti’s catastrophic earthquake bring the politics and religions of Haiti and its natural tragedies to life. Haitians are survivors and bravely continue to preserve their traditions and assert their voices, as demonstrated in the riveting photographs of Pablo Butcher dating from 1986 and the overthrow of the Duvalier regime, to 1995, when the United States intervened to reinstate Jean-Bertrand Aristide as Haiti’s democratically elected leader. Butcher’s photographs of people gesturing in front of wall murals, which were destroyed during the earthquake, are not only compelling but are among the only documents of these historically significant murals. Maggie Steber’s photograph Mother’s Funeral, Port-au-Prince, Haiti, November 1987 and Paolo Wood’s Graduation, 2012, provide windows into multiple components of Haitian contemporary life.

Selections of works by contemporary photographers such as Phyllis Galembo, Leah Gordon, Mario Delatour, Maksaens Denis, Maggie Steber, Stephane Kenn de Balinthazy, Jean-Ulrick Désert, Andrea Baldeck, Pablo Butcher, Antoine Ferrer, Adler Guerrier, Carl Juste, Daniel Morel, Gary Monroe, Chantal Regnault, Roberto Stephenson and Paolo Woods are also included in the exhibition.

The exhibition’s examples of photography by Haitian and other artists and photographers are transient, living records of the tumultuous life of the oldest independent nation in the western hemisphere and provide new perspectives on photography and the visual that offer a broader understanding of Haiti, its history, and its citizens.

Also on view at NSU Art Museum Fort Lauderdale is Edouard Duval-Carrié’s, The Indigo Room, Or is Memory Water Soluble, a room-size, mixed media installation that brings to life the story of the historical and contemporary Haitian experience. The work is part of the museum’s permanent collection and is on display in its lobby.

Supported by Funding Arts Broward, Inc. Additional funding for this exhibition is provided by grants from the Green Family Foundation, FOKAL (Fondation Connaissance et Liberté/Fondasyon Konesans Ak Libète), The Haitian Cultural Arts Alliance, Lisa and Steven Smith/SMITH Manufacturing, Wells Fargo and the Florida Humanities Council with funds from the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in this exhibition do not necessarily represent those of the Florida Humanities Council or the National Endowment for the Humanities. Media Partner: Miami Herald Media Company.

Exhibitions and programs at NSU Art Museum Fort Lauderdale are made possible in part by a challenge grant from the David and Francie Horvitz Family Foundation. Funding is also provided by Nova Southeastern University, Broward County Board of County Commissioners as recommended by the Broward Cultural Council and Greater Fort Lauderdale Convention & Visitors Bureau, the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. NSU Art Museum is accredited by the American Alliance of Museums.

Top Image: Antoine Ferrier. Untitled, circa 1970-75. B/W Photograph. Collection of Edouard Duval-Carrié. ©Antoine Ferrier

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Sun Sentinel: Open your eyes to Haiti at NSU Art Museum

June 29, 2015
https://nsuartmuseum.org/wp-content/uploads/2015/06/SouthFlorida.com-Install.jpg 1115 2000 Fulano https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png Fulano2015-06-29 17:31:342015-09-14 18:17:25Sun Sentinel: Open your eyes to Haiti at NSU Art Museum

Travel + Lesiure: South Florida Has New Summer Exhibits You Should See

June 23, 2015
https://nsuartmuseum.org/wp-content/uploads/2015/06/NSU-Art-Museum-Travel-Leisure.jpg 1000 1600 Fulano https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png Fulano2015-06-23 17:34:072015-09-14 18:19:02Travel + Lesiure: South Florida Has New Summer Exhibits You Should See

Miami Herald: A new photography show in Fort Lauderdale takes a deeper look at Haiti

June 12, 2015
https://nsuartmuseum.org/wp-content/uploads/2015/06/Miami-Herald-Cover-6.14.15.jpg 1345 2048 Fulano https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png Fulano2015-06-12 15:40:512015-09-14 18:17:59Miami Herald: A new photography show in Fort Lauderdale takes a deeper look at Haiti

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A Deeper Look at Haiti

By George Fishman; Miami Herald

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Exhibitions

Currently on View

William J. Glackens Seated Across with Mirror, c.1903. NSU Art Museum Fort Lauderdale; gift of the Sansom Foundation, Inc.William J. Glackens Seated Across with Mirror, c.1903. NSU Art Museum Fort Lauderdale; gift of the Sansom Foundation, Inc.

A Backward Glance: Highlights from the William J. Glackens Collection

April 17, 2025
May 3, 2025 - August 2026
https://nsuartmuseum.org/wp-content/uploads/2021/05/Seated-Actress2020.19-1-scaled.jpg 2560 1587 David Guidi https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png David Guidi2025-04-17 15:46:242025-05-05 10:54:54A Backward Glance: Highlights from the William J. Glackens Collection
Dimithry Victor, Synthetic Giants: Cost of Strength, 2024. Courtesy of the artist.

Dimithry Victor: The American Dream

April 4, 2025
April 12 - August 17, 2025
https://nsuartmuseum.org/wp-content/uploads/2025/03/2Synthetic-Giants-The-Cost-of-Strength-3-scaled.jpg 2560 2369 David Guidi https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png David Guidi2025-04-04 15:15:312025-04-29 11:57:26Dimithry Victor: The American Dream
Christo and Jeanne-Claude, Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980-83 Photo: Wolfgang Volz Copyright: 2024 Christo and Jeanne-Claude Foundation Collection NSU Art Museum Fort Lauderdale: Gift of the Christo and Jeanne-Claude Foundation

Christo and Jeanne-Claude Surrounded Islands Documentation Exhibition

September 25, 2024
February 23, 2025
https://nsuartmuseum.org/wp-content/uploads/2024/09/Item-578-scaled.jpg 1669 2560 David Guidi https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png David Guidi2024-09-25 15:54:012025-04-10 15:10:09Christo and Jeanne-Claude Surrounded Islands Documentation Exhibition
Joel Meyerowitz, Florida, 1978, 1978, Vintage RC print, 11 x 14 inches (27.9 x 35.5 cm), NSU Art Museum Fort Lauderdale; Gift of an anonymous donor.

Joel Meyerowitz: Temporal Aspects

July 24, 2024
October 4, 2024 - August 17, 2025
https://nsuartmuseum.org/wp-content/uploads/2024/07/image009.png 1083 1361 David Guidi https://nsuartmuseum.org/wp-content/uploads/2021/03/NSU-Logo-2021.png David Guidi2024-07-24 14:16:032025-01-14 11:07:47Joel Meyerowitz: Temporal Aspects

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